Délio Jasse (Angola, 1980) is an unconventional photographer. Délio assembles, collects, archives and recomposes, through a process of deconstructing layering images. A slow and careful proceeding that crosses cultures, his own Angolan
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Can matter tell stories? In the practice of French-Italian artist Lulù Nuti (Rome 1988), who studied at the Ecole Nationale Supérieure des Beaux Arts in Paris, and lives in Rome, material carries
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When a phenomenon arises or a particular one returns, today’s very dynamic society does not adapt but tries to “surf” by finding a precarious balance. This balance then pours into relationships, into
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Laura Fiorio (1985, Verona, IT) is an artist working with photography, installation and relational practices. She studied Visual and Performing Arts (Venice), Film and Interactive Media (London) and Social Work through Art
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Matteo De Nando (1995) is an emerging artist based in Milan who studied painting at the Brera Academy of Fine Arts in Milan, where he graduated in 2020. In 2018, together with
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Photography, from the moment of its invention, has been skilfully mixed with cinema. From the mid-nineteenth century, photographers such as Rejlander, Bayard, Julia Margaret Cameron, Henry Peach Robinson began to carefully stage
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Stefano Comensoli (Milano, 1990) and Nicolò Colciago (Garbagnate Milanese, 1988) are two contemporary explorers. Their field of action is the human landscape (industrial, city and natural). The remains of this experience are
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Daniele Martignoni (b. 1978) is an Italian artist based in Paris. Between 2001 and 2005 Daniele Daniele began his training in the studio of the Parma-based artist Giuliano Ziveri, while at the
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Is there something we can call natural? Human activities altered nature forever: earth, water and air are different from some years ago and they will never be the same. From the discovery
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“The tiniest bud shows us that in fact there is no death.” (Walt Whitman). Nothing is more appropriate to introduce the research of Alice Mestriner (Treviso, 1994) and Ahad Moslemi (Teheran, 1983)
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